Don’t Fall in Love with Buildings was filmed with a surveillance camera in time-lapse during the last five weeks of the eviction from our Williamsburg, Brooklyn loft, our home for over fifteen years. Raw and unadorned, the physical and emotional process of leaving one’s long-term home is poignantly revealed.

Audrey Superhero, an experimental documentary, explores the shifting terrain of gender identity. The film includes vividly charged discussions with Audrey, who insists she is Superman.

Sea of Remembering is a voyage into an aqueous repository of domestic objects such as clothing, furniture and toys. Memory-based reflections of home, family and childhood carry us into the depths of reverie.

Suburban life in a nutshell—marriage, house, baby, meals, the child growing up and life gone awry… all told in a surreal story of metamorphosis where the miniature and the gigantic collide. Engagingly set to Bach’s Goldberg Variations, (played by Glenn Gould).

99.9% Sure enters the uneasy yet intoxicating world of new-found love. The short vignette of anticipation and intimacy unfolds through gestures showing only the hands and mouths of the two characters.

Traces is an enigmatic, meditative consideration of the physical displacement that arrives when a romantic relationship is severed.

Closures moves in and out of a world simultaneously lilliputian and giant. Toy houses and real houses merge. Undersized objects and oversized humans collide.